Contrary to Rohit Shetty's hit comedy, Golmaal which was consistently funny, Sunday entertains as long as it tries to be funny but isn't sly enough to find a mention in the archive of whodunits.
In our special series revisiting great Hindi film classics, we look back at Prithviraj Kapoor, Raj Kapoor, Randhir Kapoor and Babita's 1971 film, Kal Aaj Aur Kal.
As India gets set to play its 500th Test, Rajneesh Gupta presents India's memorable Test victories at home.
Wake Up Sid has its heart in place, but it still doesn't have much of a plot or novelty to rely upon.
'There were no singers like Lata, Kishore, Rafi or Mukesh. And until now, there is nobody. Nobody with that kind of voice, nobody with that kind of brain to learn. Not only to learn, but to improvise. We improvised music, we improvised the songs. Nowadays, they just listen and copy.'
Malayalam film audiences, who had spent close to two decades waiting for something truly interesting to watch at the movies, seem to be finally getting their due.
Prince William and Princess Catherine, the Duke and Duchess of Cambridge, collected quite a few Mumbai hearts on a hot two days in April.
Himmatwala may not be funny but is surely laughable and hence watchable.
Jo Jeeta Wohi Sikandar masterfully weaves a compelling human story, says Sukanya Verma.
Vishal Dadlani, who is touring over a dozen cities in North America and Europe with his partner Shekhar Ravjiani with the Unforgettable team, says their music owes a lot to the songs of the 1970s and 1980s. "Never mind what the subject of a film is," he says, "we want to make sure that every composition of ours has a good melody."
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